Museum making : narratives, architectures, exhibitions / edited by Suzanne MacLeod, Laura Hourston Hanks, and Jonathan Hale.
Item type | Location | Collection | Call number | Status | Date due | Barcode |
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Books | General Collection | Arts & Recreation | 727.6 M9867 2012 (Browse shelf) | Available | 010285 |
Browsing Cagayan State University - Carig Library Shelves , Shelving location: General Collection , Collection code: Arts & Recreation Close shelf browser
725.4 B1119 1990 Preliminary chemical engineering plant design / William D. Baasel. | 725.40289 C8371 1995 Cost-effective risk assessment for process design / | 725.40941 J768 1985 Industrial architecture in Britain 1750-1939 / | 727.6 M9867 2012 Museum making : narratives, architectures, exhibitions / edited by Suzanne MacLeod, Laura Hourston Hanks, and Jonathan Hale. | 728.37042 P392 1994 Barrier-free residential design / | 729.022 K488 2016 (Not for Overnight) Construction drawings and details / | 729.2 T5836 1980 Time-saver standards for building types / |
Includes bibliographical references and index.
Narrative and Space -- Narrative and Perception -- Narrative, Media, Mediation
Over recent decades, many museums, galleries and historic sites around the world have enjoyed an unprecedented level of large-scale investment in their capital infrastructure, in building refurbishments and new gallery displays. This period has also seen the creation of countless new purpose-built museums and galleries, suggesting a fundamental re-evaluation of the processes of designing and shaping of museums. Museum Making: Narratives, Architectures, Exhibitions examines this re-making by exploring the inherently spatial character of narrative in the museum and its potential to connect on the deepest levels with human perception and imagination. Through this uniting theme, the chapters explore the power of narratives as structured experiences unfolding in space and time as well as the use of theatre, film and other technologies of storytelling by contemporary museum makers to generate meaningful and, it is argued here, highly effective and affective museum spaces. Contributions by an internationally diverse group of museum and heritage professionals, exhibition designers, architects and artists with academics from a range of disciplines including museum studies, theatre studies, architecture, design and history cut across traditional boundaries including the historical and the contemporary and together explore the various roles and functions of narrative as a mechanism for the creation of engaging and meaningful interpretive environments
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