The copyright wars : [electronic resource] the copyright wars / (Record no. 15259)
000 -LEADER | |
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fixed length control field | 02406cam a2200157 i 4500 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
ISBN | 9780691161822 |
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Classification number | 346.40482 |
100 1# - MAIN ENTRY--AUTHOR NAME | |
Personal name | Baldwin, Peter, |
245 14 - TITLE STATEMENT | |
Title | The copyright wars : [electronic resource] the copyright wars / |
300 ## - PHYSICAL DESCRIPTION | |
Number of Pages | one online resource, 547 pages ; |
Other physical details | illustrations ; |
505 0# - FORMATTED CONTENTS NOTE | |
Formatted contents note | The agon of author and audience -- The battle between Anglo-American copyright and European authors' rights -- From royal privilege to literary property: A common start to copyright in the eighteenth century -- The ways part: Copyright and authors' rights in the nineteenth century -- Continental drift: Europe moves from property to personality at the turn of the century -- The strange birth of moral rights in Fascist Europe -- The postwar apotheosis of authors' rights -- America turns European: The battle of the booksellers redux in the 1990s -- The rise of the digital public: The copyright wars continue in the new millennium -- Reclaiming the spirit of copyright |
520 ## - SUMMARY, ETC. | |
Summary, etc | Today's copyright wars can seem unprecedented. Sparked by the digital revolution that has made copyright -- and its violation -- a part of everyday life, fights over intellectual property have pitted creators, Hollywood, and governments against consumers, pirates, Silicon Valley, and open-access advocates. But while the digital generation can be forgiven for thinking the dispute between, for example, the publishing industry and Google is completely new, the copyright wars in fact stretch back three centuries -- and their history is essential to understanding today's battles. Peter Baldwin explains why the copyright wars have always been driven by a fundamental tension. Should copyright assure authors and rights holders lasting claims, much like conventional property rights, as in Continental Europe? Or should copyright be primarily concerned with giving consumers cheap and easy access to a shared culture, as in Britain and America? This book describes how the Continental approach triumphed, dramatically increasing the claims of rights holders. It also tells the widely forgotten story of how America went from being a leading copyright opponent and pirate in the eighteenth and nineteenth centuries to become the world's intellectual property policeman in the late twentieth |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical Term | Copyright-- Europe -- History |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical Term | Copyright-- United States -- History |
942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
Koha item type | Electronic Books |
Permanent Location | Date acquired | Collection code | Koha item type | Lost status | Shelving location | Current Location | Withdrawn status | Full call number |
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Cagayan State University - Carig Library | 2018-04-27 | E-Books | Electronic Books | E-Resource Section | Cagayan State University - Carig Library | 346.40482 |