CSU-Carig
American ethnographic film and personal documentary : [electronic resource] the Cambridge turn / (Record no. 15001)
| 000 -LEADER | |
|---|---|
| fixed length control field | 01898cam a2200157 i 4500 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| ISBN | 9780520275614 |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 070.18 |
| 100 1# - MAIN ENTRY--AUTHOR NAME | |
| Personal name | MacDonald, Scott, |
| 245 10 - TITLE STATEMENT | |
| Title | American ethnographic film and personal documentary : [electronic resource] the Cambridge turn / |
| 300 ## - PHYSICAL DESCRIPTION | |
| Number of Pages | one online resource, 425 pages : |
| Other physical details | illustrations ; |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Lorna and John Marshall -- Robert Gardner -- Timothy Asch -- Ed Pincus and the emergence of personal documentary -- Alfred Guzzetti and personal cinema -- Ross McElwee -- Robb Moss -- Panorama: other approaches to personal drama -- Lucien Castaing-Taylor and sensory ethnography |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | "American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century. "-- |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical Term | Documentary films-- United States -- History and criticism |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical Term | Ethnographic films-- United States -- History and criticism |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Electronic Books |
| Permanent Location | Date acquired | Collection code | Koha item type | Lost status | Shelving location | Current Location | Withdrawn status | Full call number |
|---|---|---|---|---|---|---|---|---|
| Cagayan State University - Carig Library | 2018-04-24 | E-Books | Electronic Books | E-Resource Section | Cagayan State University - Carig Library | 070.18 |